What can be said about Leonard Cohen? Well, the first thing we can say is that he is funny. Yes, funny. He’s not the “Patron Saint of Suicides” or “Mr. Misery” or any of the other epithets that have been lazily applied to him over the years by people who haven’t taken the time to listen to him. For example:
“Well my friends are gone and my hair is gray
I ache in the places where I used to play”
“So you can stick your little pins in that voodoo doll
I’m very sorry, baby, doesn’t look like me at all”
(“Tower of Song”)
“You told me again you preferred handsome men
But for me you would make an exception”
(“Chelsea Hotel No. 2”)
“Take the only tree that’s left
Stuff it up the hole in your culture”
Any writers looking for witty, caustic one-liners would do well to read up on their Cohen.
In previous songwriter’s posts, I talked about Springsteen and Dylan, and how their lyrics are often less simple rhyming couplets and more like short stories. The same is true of Cohen. Songs like “Famous Blue Raincoat”, “Sisters of Mercy” and “Hey, That’s No Way to Say Goodbye” read like compressed short stories, with a sense of place, time and characterisation. If anything, he’s a little more obscure than Springsteen or Dylan. The stories are always told in the first-person by an unnamed narrator, who could often be called an unreliable narrator.
And he knows how to capture a sense of a moment in time. For years, I was convinced that Cohen had written an actual song about two people trapped in a hot room arguing. When I went to look for it, I couldn’t find it. That’s because he never did. He wrote many songs about couples, about couples arguing or falling out of love, and his descriptions brought to life such vivid images for me that I thought he’d actually written those images himself.
Leonard Cohen is an expert on relationships, whether in the throes of first flush or in the depths of breaking up. I don’t know if he actually went through all of these experiences but with lyrics like this, it doesn’t matter:
“Well maybe there’s a God above
But all I’ve ever learned from love
Was how to shoot somebody who outdrew ya”
“I showed my heart to the doctor. He said I’d just have to quit
Then he wrote himself a prescription, your name was mentioned in it”
(“One Of Us Cannot Be Wrong”)
Lou Reed read out the latter quote when he inducted Leonard Cohen into The Rock and Roll Hall of Fame. After reading it, Reed threw his arms in the air and said, “He could have stopped there!” I’m inclined to agree. Although I’m glad he didn’t.
I’ll finish with one of my favourite Leonard Cohen quotes, taken from “Tower of Song”, his rumination on – amongst other things – what it means to be a songwriter (or as he so beautifully puts it, “paying my rent every day in the Tower of Song”):
“I bid you farewell, I don’t know when I’ll be back
They’re moving us tomorrow to that tower down the track
But you’ll be hearing from me, baby, long after I’m gone
I’ll be speaking to you sweetly from a window in the Tower of Song”
(Image: Click the pic for credits)
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9 thoughts on “What Can Writers Learn From Songwriters: Leonard Cohen”
Lovely post, so true, we can all learn from the masters. I think your observations are spot-on, the quotes you choose are among my favorites from Leonard. I am also a great fan of his favourite poet, Federico Garcia Lorca. He named a daughter Lorca. Garcia Lorca was shot by the Fascists during the Spanish Civil War, once he wrote “quando yo me muera, interrara me con mi guitar, bacca del arena.” “When I am dead, bury me with my guitar, underneath the sand.”
Thanks Kevin. I’ve never read Lorca but he’s definitely on my “Every Dead Author” list. That’s a beautiful quote.
Great post, Derek. You really have an impressive list of the great oldies here. I had not heard this name for quite a while. Thanks for bringing him back to life for us.
Thanks Sharon. Well, some of the oldies are the best, right? Cohen’s always been a favourite of mine.
Great article, Derek! Leonard Cohen is a big favourite of mine. He’s not only witty with his lyrics, the chat between his song performances in his latest tours have a lot of humour there with regards to aging etc. We writers can definitely learn a lot from him!
Hi Geraldine. Sadly, I haven’t seen him live yet but I hope to fix that. Had I known you were a big fan, I would have played a few of his in Tyrone Guthrie! Maybe next time 😉
Saw him live at The Point – best night ever! And you’re right about his sense of humour – he gave the audience a great laugh talking about why he needed to go on tour again.
Great blog Derek – love ‘Famous Blue Overcoat’ – great quotes.
At last! I LOVE Leonard Cohen, he’s been on my listening list all the way from vinyl to MP3. I also love your take on him, Derek, fantastic!